Shang-Chi and the Legend of the Ten Rings (2021) - KUNG FU KINGDOM
Simu Liu leads the film as the titular hero Shang-Chi, with Awkwafina playing his close friend Katy. Tony Leung portrays Shang-Chi’s father and the villain of the film, Xu Wenwu, with Fala Chen playing his mother, Ying Li. Meng’er Zhang plays Shang-Chi’s sister Xu Xialing, with Benedict Wong also appearing in his MCU role of the sorcerer and ally of Doctor Strange, Wong.
Andy Le also steps into the role of the assassin Death Dealer, with Florian Munteanu portraying Razor Fist, while Michelle Yeoh also portrays Ying Nan, with Yuen Wah portraying Master Guang Bo.
“Shang-Chi” is a Marvel movie, so be on the look out for cameos from other characters in the franchise, including the long-awaited return of the Abomination from 2008’s “The Incredible Hulk”, a few other heroes dropping in for the end-credits, and a certain someone from “Iron Man 3” adding greater context to his previous appearance.
It’s supposed to be just another day at work for San Francisco valets Shaun and Katy. However, after Shaun single-handedly fights off an attacking gang on a bus, including a leader with a bladed arm, Katy wants some answers as Shaun suddenly prepares to head to Macau before the gang can reach his estranged sister, Xu Xialing.
Shaun reveals that his real name is Xu Shang-Chi, and he was trained as a youth to become an assassin for the Ten Rings, a shadowy criminal organization run by his father, Wenwu.
Shang-Chi decided to leave that life behind, and before long, he and Katy as well as Xialiang come to learn the true plot of their father. It’s an assault on the hidden city of Ta Lo, with Wenwu to use the otherworldly, super-powered ten rings that have kept him alive for centuries to free his imprisoned wife. However, there’s much more afoot than Wenwu himself realizes.
While “Shang-Chi” is mostly a standalone story, like the rest of the MCU, it still has to drop a few nickels at the toll booth that is the franchise’s always setting up the next chapter. The MCU got to where it is now with exciting end-credit teases and every movie displaying its interconnectedness to the rest, but especially after the crescendo of “Avengers: Endgame”, it’s becoming exhausting to keep up with.
What’s more, the MCU’s use of comedy has started to become overly predictable, and in some movies (fortunately not this one) even bordering on obnoxiously intrusive. This is the paradox of “Shang-Chi” – it’s one of the best MCU origin movies, yet its MCU connections are almost entirely where its weakest points lie. Still, the fact that it’s mostly telling its own, singular story means that doesn’t hold it back too much.
The performances of Simu Liu and Tony Leung are a double-layered emotional wallop of warriors determined to defeat each other and an estranged father and son whose falling out and reunion can’t help but make them foes.
As Wenwu, Tony Leung is less a villain than a broken man desperately trying to bring back the woman who redeemed him once before, trapped in a vicious cycle of having to rely on his villainy in order to escape from it. Hong Kong action fans know Leung well, and still couldn’t have asked for a better Hollywood debut on his part.
Of course, the big hook of “Shang-Chi” is that it’s Marvel’s first, full-blown kung fu movie.
Suffice it to say, no future MCU movie has any excuse not to have action scenes on the level of “Shang-Chi”, and sweetening the deal is the film’s two-tiered approach to the action.
For the most part, the action scenes of the first half could’ve come right out of an 80’s or 90’s Hong Kong flick, with stunts, powerful hits, and an abundance of different forms of kung fu at work.
Some of the best, pure martial arts fights of the year are seen in “Shang-Chi”, from the bus battle where Katy first sees her friend unleash his might, to a battle with a Ten Rings assassin on the bamboo scaffolding outside of a Macau skyscraper, and Shang-Chi’s blazing one-on-one with the masked assassin Death Dealer.
On the other side of the coin, the film’s intro with Wenwu and Ying Li and its second half is more of a graceful wuxia adventure with a superhero twist.
The fantasy elements, including flying dragons and the ten rings themselves, are where “Shang-Chi” gives its title character’s backstory more of a fantasy-based reworking from his street level adventures in the comics. And while the dragons themselves feel a little over-the-top for the finale, the movie’s outstanding action scenes, with and without wire fu at play, and emotional family conflict keep you absorbed and enveloped in Shang-Chi’s big screen debut.
That, and the ten rings as an extension of the wielder’s own martial arts ability is simply an “Alita: Battle Angel”-level marriage of eye-popping CGI and real martial arts.
Though slightly burdened with the requisite MCU teases, including some end-credit cameos, “Shang-Chi and the Legend of the Ten Rings” is fully deserving of the praise it’s earned as one of the franchise’s best origin movies.
Simu Liu glides through a charismatic performance and action scenes that never fail to amaze, while Tony Leung’s performance is that of a villain; equal parts tragic and determined. And let it be crystal clear here and now to future MCU movies – when it comes to fight scenes, “Shang-Chi” is the bar to meet, or no sale!
We at Kung Fu Kingdom would also like to extend our heartfelt condolences to the family and friends of the film’s second unit director and supervising stunt coordinator Brad Allan who tragically passed away last month, on August 7th, 2021
Brad was part of the Jackie Chan Stunt Team, and made a monumental impact on martial arts films in both the East and the West. Millions will remember him best for his spectacular fight scenes with Jackie in 1999’s “Gorgeous”.
Brad would later go on to design stunts and fight scenes for such Hollywood hits as “Kick-Ass”, “Scott Pilgrim vs. the World”, “Kingsman” 1 and 2, and others, and his work will also be seen in the upcoming “The King’s Man”.
Brad Allan was a phenomenal martial artist and an exceptional stunt professional. The world of action movies and the martial arts community will forever remember him for his unforgettable work in action filmmaking.
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