Blind Fury (1989)

A classic character from Japanese cinema reimagined and brought to life by one of Hollywood’s most enigmatic stars.



Dutch character actor Rutger Hauer is perfectly cast as Nick Parker, an American Vietnam veteran blinded in an explosion and who possesses almost superhuman swordsmanship abilities. A wanderer, he seeks out his old war buddy Frank Devereaux played by Terry O Quinn (“Lost”, “Hawaii Five-0”). Noble Willingham plays ruthless drug dealer McCready and Randall “Tex” Cobb, who was excellent in the war film “Uncommon Valour” opposite Patrick Swayze, is McCready’s resourceful right hand heavy only known as Slag.

Ninja superstar Sho Kosugi makes an appearance as an un-named assassin hired to do battle with Rutger Hauer for the film’s finale.


Blinded by an explosion and left for dead in war torn Vietnam, Nick Parker is rescued by an indigenous tribe, healed and taught their secret sword fighting techniques. Parker returns to the United States, in search of old army buddy, Frank Devereaux, but discovers that he and his wife are divorced, and Frank is working as a chemist in Reno. When thugs working for casino boss McCready to whom Devereaux owes money try to kidnap his son as ransom and murder his ex-wife, Parker intervenes and becomes responsible for Billy who he is determined to reunite with his father.

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The film works well due to its script’s stead and seamless pacing covering Parker’s blindness, rescue, swordsmanship lessons and return to the US in just ten minutes. The scene is set with some comedy moments such as Parker dealing with thugs in a diner which are interwoven with action scenes that are elaborately choreographed and believable.

A saving grace is the script and actor’s portrayal of the titular blind swordsman in a more realistic fashion as opposed to the almost god-like Zatoichi. Parker is armed with his trusty blade disguised as a walking cane and yes he does formidable things like slicing a hornet in two. Yet at times he stumbles his way along, walking into gun barrels and mistaking roadside alligators for dogs.

However, when Parker fights he does so in a way you’d expect a blind man not to; always hitting the mark and using multiple moves to get his target. The realism is further demonstrated in the way he uses an opponent’s body as a map. In one scene Parker chops a gunman’s hand off at the wrist, by first running into him, feeling the arm, and then using those two actions as a guide to slice away.

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There are of course some crowd pleasing moments such as Parker slicing a baddie’s eyebrows clean off then declaring “I also do circumcision”, and the chase through the cornfield in which Parker takes out the pursuing redneck goons. It is Hauer’s stoic persona and impressive physicality that sell these scenes, giving a deadly zen-like quality to the sword play.

There is however a lack of charismatic bad guys, made up mostly of stereotypical rednecks complete with greasy mullets, with the exception of Randall “Tex” Cobb as Slag, a clever tactician who doesn’t underestimate Parker’s skill and of course the appearance of ninja movie legend, Sho Kosugi. There is still much fun to be had with plenty of shoot outs, a car chase with Parker behind the wheel and the much anticipated showdown between Kosugi and Parker which could have been longer in running time but is yet thrilling nonetheless.


“Blind Fury” is a predictable yet highly entertaining ride, with a refreshing balance of comedy and sword play splashed with a dash of fortune cookie-style philosophy. It does leave you wanting to see more especially of Rutger Hauer’s perfectly performed sword skills which the never-to-emerge sequel would have provided. Yet in its own right the film offers much for Zatoichi fans as producer Matheson, writer Carner and director Noyce do their utmost to embody the best of Japanese cinema’s favourite swordsman. Ultimately “Blind Fury” pleases the crowd and tickles the funny bone with a touching story held together by the ever charismatic Hauer.

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  • Writer Charles Robert Carner previously wrote the screenplay for “Gymkata” directed by Robert “Enter the Dragon” Clouse.
  • The film’s “sword fight co-ordinator” Steven Lambert has worked with some of the biggest names in Hollywood including Sylvester Stallone, Arnold Schwarzenegger, and Chuck Norris. He has studied martial arts since the age of 9 starting with Shotokan Karate, Taekwondo, then onto an assortment of Kung-Fu styles. His martial art movie repertoire includes “Revenge of the Ninja”, “Delta Force 2”, and “Marked for Death”.
  • Rutger Hauer underwent extensive training to perform most of his own sword work and fights. He worked with blind Judo-Ka, Lynn Manning to learn how to use the sword and move like a blind person.

Film Rating: 7/10

Ramon Youseph

Ever since he first saw the great Bruce Lee in Enter The Dragon on the big screen whilst living in Iran, Ramon has been fascinated with martial arts, and at age 6 attended classes in Kan Zen Ryu Karate under Sensei Reza Pirasteh. When he moved to the UK, martial arts came calling in his early teens in the shape of the mysterious art of Ki Aikido which he studied for five years. Since then he has practiced Feng Shou Kung Fu, Lee Style Tai Chi, Taekwondo, Kickboxing before returning to Aikido, studying under Sensei Michael Narey. As well as Bruce Lee, Ramon is a big fan of martial arts actors Jackie Chan, Cynthia Rothrock, Jeff Wincott, Richard Norton and Tadashi Yamashita to name a few. Ramon is an aspiring writer and when he is not honing his craft he likes to go out running, hiking and is still trying to count to ten in Japanese.

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