Bridge of Dragons (1999) -KUNG FU KINGDOM
Dolph Lundgren leads the movie as the conflicted soldier Warchild, in the employ of the ruthless warlord Ruechang, played by Cary Hiroyuki-Tagawa.
Rachel Shane portrays Ruechang’s betrothed bride-to-be Princess Halo, with Gary Hudson playing Warchild’s fellow soldier Emmerich, John Bennett plays the Registrar whilst Scott L. Schwartz plays Belmont.
In the war-ravaged future, the land is protected by General Ruechang and his armed forces in the aftermath of the death of the king.
Ruechang intends to consolidate his role by marrying the king’s daughter, Princess Halo, who is hardly eager for her arranged marriage.
Halo, who competes anonymously in underground martial arts fights with the general’s soldiers, comes to learn that Ruechang had her father killed in order to usurp control of the kingdom.
This leads Halo to flee Ruechang’s palace and join forces with the rebellion seeking to bring down his rule. Ruechang deploys his strongest soldier Warchild to bring Halo home, but Warchild’s growing misgivings about Ruechang’s rule eventually leads him to side with Halo’s revolt.
As one of the early films by Isaac Florentine, “Bridge of Dragons” has an added charm looking back on it now after the “Undisputed” and “Ninja” movies. Still stretching his legs as an action filmmaker on “Power Rangers” and “WMAC Masters”, “Bridge of Dragons” stood out as a diamond in the rough in 1999 long before a Florentine flick was equivalent to solid gold for action fans.
Lacking the budget to realize a dystopian future in the vein of “Mad Max: Fury Road”, Isaac works within his limitations of a relatively modern-looking military landscape, as if things have generally been cleaned up relatively well after the fall of one civilization and the rise of the next.
Obviously, this isn’t going to win “Bridge of Dragons” any awards at the post-apocalyptic Oscars, but it’s really a backdrop for Isaac, devoted martial arts geek that he is, to show his exemplary approach to action.
When action fans think of an Isaac Florentine movie today, action scenes with an unbreakable devotion to capturing every technique in its full glory with a nice seasoning of exaggerated impact is what they expect, and “Bridge of Dragons” delivers that well before it became his bread and butter.
Princess Halo fighting in the underground mud pit fights, in the context of 1999 action movies, fully feels like something right out of a Hong Kong movie (“The Legend of Fong Sai-yuk” specifically).
Rachel Her and Warchild’s skills are such that the sight of them attacking each other with tornado kicks as they leap from one raised post to another, bo staff in hand, is as believable as it is breathtaking.
In the prism of Dolph Lundgren’s career at the time, “Bridge of Dragons” is easily at the top of his straight-to-video action movies during his B-movie career decline, and his fight scenes rival even his menacing presence as Ivan Drago in “Rocky IV”.
Just a single spinning kick thrown at Ruechang by Warchild captures everything “Bridge of Dragons” has to offer in one strike, Isaac making sure that it completely registers with its slow-motion photography and choir-like soundtrack.
Like Isaac’s work in “Cold Harvest”, “Special Forces”, and “U.S. Seals II”, “Bridge of Dragons” just fires on all cylinders with its military elements and fight scenes from Halo’s combat as a rebel, to Warchild and Ruechang’s final showdown, however few pennies it may have had to back it up.
Looking back on 1999, when Isaac Florentine was still an unknown director, Dolph Lundgren was in his pre-“Expendables” semi-obscurity, and the villain from “Mortal Kombat” as its very fitting antagonist, “Bridge of Dragons” is everything that makes straight-to-video action great from one of the greats of that sub-culture of the film industry.
Both Isaac and Dolph have gone onto bigger and better things in the years since, but every fan of Boyka, Casey Bowman, and Gunner Jensen alike owes it to themselves to revisit “Bridge of Dragons” for a career highlight for both of them in a time when their respective rise and comeback still lay ahead of them.
With the added strengths of Rachel Shane’s warrior woman performance and Cary Hiroyuki-Tagawa in an always reliable villain role, “Bridge of Dragons” is what you get when you let Florentine rip for 95 minutes!
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