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In 1994 and 2009, audiences all over the world watched in horror as the âStreet Fighterâ series, one of the most beloved and enduring video game series ever created, was subjected to the cinematic equivalent of a crucifixion, only to have their faith that the series might someday be done justice in live-action form restored by the fan film âStreet Fighter: Legacyâ in 2010. Four years and a lot of blood, sweat, and tears later, the fan filmâs highly anticipated follow-up, âStreet Fighter: Assassinâs Fistâ has finally arrived. To say that it makes up for the previous two filmâs failures is understatement and a half. âAssassinâs Fistâ is the âStreet Fighterâ movie fans have been waiting for, and exceeds just what they hoped the series would eventually become by an enormous margin.
Assuming the role of the seriesâ major protagonist Ryu is Mike Moh. Few video game heroes carry the degree of stoicism that Ryu does, which makes him a hard character to craft for both the writer and the actor playing him, but whether itâs conveying his rock-solid mental focus and discipline or his massive physical prowess, Moh couldnât be more at home in his characterâs skin.
Reprising his role as Ryuâs close friend and training partner Ken Masters from âLegacyâ is series co-creator Christian Howard. A far more jovial and rambunctious character than Ryu, Ken is nevertheless his equal as a fighter, and Howard adds some splendid comic relief with his characterâs many one-liners and seemingly spends half the series with one or both legs off the ground performing some jaw-dropping kicking techniques.
Akira Koieyama portrays the duoâs wise martial arts mentor Gouken, while Shogen embodies the young version of the character, who receives some intense mentorship himself under the tutelage of Goutetsu, played by Togo Igawa. Gaku Space gives a highly emotional performance in his role of Goukenâs ambitious young brother Gouki, while the seriesâ co-creator Joey Ansah assumes the role of Akuma, the darker, more ruthless martial arts master that Gouki is destined to become after his overzealous embrace of Satsui No Hado.
In Japan in the late 1980âs, Ryu and Ken Masters, two eager and highly promising students of the arcane martial art known as Ansatsuken, have excelled far enough in their training that their wise teacher Gouken finally deems them ready to learn the artâs most advanced techniques known as âHadoâ. Under Goukenâs guidance, Ryu and Ken master techniques at the highest pinnacle of Ansatsuken training such as the Shoryuken, Tatsumaki Senpukyaku, and Hadouken, with their expertise in each eventually such that both are able to summon their natural energy, or ki, (also known as âqiâ or âchiâ), at will and astronomically heighten their physical abilities.
In the midst of their training in Hado, Ken uncovers an old training manual of Goukenâs detailing a technique called âSatsui No Hadoâ. Impressed with its ability to strengthen his ki, Ken begins practicing Satsui No Hado, only for Gouken to sternly forbid him ever doing so, with the warning that Satsui No Hado should never be practiced. Gouken later relates his own Ansatsuken training days alongside his brother Gouki under the wise Goutetsu to Ryu and Ken, assiduously hiding from both of them what his aversion to Satsui No Hado stems from â Goukiâs eagerness to master the technique eventually led him to become vicious and bloodthirsty. His determination to master the technique would ultimately result in his transformation into the demonic entity, Akuma.
Imagine watching a version of âThe Matrixâ in which Neoâs abilities to defy the laws of the artificial reality crafted by the machines was only exploited once or twice throughout the entire film, and with only about one one-hundredth of their true potential, and itâs easy to understand the horrendous reception which last two live-action âStreet Fighterâ films received among fans of the series and the general public. âAssassinâs Fistâ rests on the opposite side of that spectrum.
We see Shoryukens, Tatsumakis, and Hadoukens right from the start in episode 00, aptly titled âAlphaâ, which flashes the series into the future to show Ryu and Ken sparring at the peak of their training, before going back several years to show how each of them reached that skill level.
Already, âAssassinâs Fistâ has set itself a universe apart from the last two films, and indeed most video game adaptations, by allowing the viewer to sample whatâs to come before taking them on the same journey as Ryu and Ken to reach the skill level that weâve seen. Simply endowing Ryu and Ken with the fighting prowess each holds in the games and letting them cut loose would have been more than enough for fans of the series to pump their fists into the air and cry out for joy. But seeing both of them in awe at the sight of Gouken demonstrating a Hadouken before their eyes for the first time gives a weight and meaning to their abilities that theyâve arguably never had before.
Right away, âAssassinâs Fistâ has done the unthinkable by outright stating for the viewer that the superhuman abilities Ryu and Ken display in the games, and the opening sequence of the series, are something that both must work tirelessly to achieve, and which the viewer gets to see them accomplish. The fact that whenever any character launches a Hadouken, it has roughly the same destructive power as a hand grenade certainly doesnât hurt either!
The series parallels Ryu and Kenâs training under Gouken with flashbacks of Goukenâs training alongside his brother Gouki under the tutelage of Goutetsu. âAssassinâs Fistâ is actually far more of a drama than most fans will be anticipating, especially in the flashbacks showing Goukiâs gradual fall from grace and transformation into Akuma. The Darth Vader of the series, Gouki is guilty of nothing but the sheer determination to reach his highest potential in Ansatsuken and a refusal to accept defeat, and Gaku Space gives an incredibly emotional portrayal of his character, both in dramatic scenes and in combat.
His transformation into Akuma (portrayed by a VERY beefed-up Joey Ansah) is terrific in how it runs counter to Ryu and Kenâs training â the viewer cheers the latter on, whilst begging the former to turn back from the dark path heâs heading down (the training montage of Goukiâs metamorphosis into Akuma, set to an ominous, foreboding soundtrack, is simultaneously captivating and horrifying in equal measure). Either story would have been perfect for a âStreet Fighterâ film to follow on its own, but âAssassinâs Fistâ interweaves both into its two and a half hour running time.
What also stands out about both is the sheer attention to detail given to every aspect gleaned from the games, right down to the charactersâ respective theme music. Not only special moves but more basic techniques from each characterâs fighting arsenal are vividly seen in the action, with the techniquesâ names being verbalised aloud as in the games. Even basic fighting stances, a detail that most fans may have overlooked, seem completely indistinguishable from their portrayal in the games.
All of these factors make choosing a favorite among the seriesâ many martial arts duels surprisingly difficult. Even without the gameâs signature special moves, the choreography is marvelous in every action sequence, but one of the seriesâ biggest standouts is the vengeful Akumaâs battle with Goutetsu, which brings their bitter past to a head with the darkest techniques of Ansatsuken. Ryu and Kenâs many sparring matches are equally as powerful, in part from the fact that Christian Howard seems to actually be a flesh and blood âStreet Fighterâ character, his execution of kicking combinations worthy of Scott Adkins presenting roughly the same difficulty to him as blinking.
However, the best of Ryu and Kenâs matchups is the battle shown in episode 00. The culmination of their Ansatsuken training, Ryu and Ken are permitted to face one another without Goukenâs supervision, with no techniques off-limits. Having seen the duoâs many yearsâ of dedicated training, the fight takes on much greater meaning for the viewer, with Christian Howardâs aforementioned aerial kicks absolutely amazing to say the least and Mike Moh being no slouch in this arena either. Even better is the fightâs conclusion, in which âAssassinâs Fistâ effectively sets up the entire âStreet Fighterâ universe to come with Ryu encountering something that will be instantly familiar to fans of the seriesâŚ
It took twenty years for âStreet Fighterâ to recover from the near-fatal blow dealt to its prospects of a life in live-action form, but âAssassinâs Fistâ has not only revived the seriesâ cinematic career â itâs set the bar exceptionally high for all video game adaptations to follow. Itâs more than debunked the notion that films based on video games can never aspire to be more than puerile tripe. The way the series chronicles both Goukiâs descent into darkness and Ryu and Kenâs mastery of their abilities makes the art of Ansatsuken seem shockingly plausible, and NOT in the âLegend of Chun Liâ way. Without a single doubt, âStreet Fighter: Assassinâs Fistâ is the best live-action video game adaptation, to date!
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SFAF...truly a masterpiece. I couldn't stop watching. On a personal note, loved the "dan!?...whose dan?". Just adding that made me gadouken with glee :-)
We're big fans too, it was far better than I was expecting!
I have to say,(one of) my big geek out moment(s) came with Gouken's line: "There is a Chinese proverb that goes, 'There are many paths to the top of the mountain, but the view is always the same.' I learned this from a great kung fu master by the name of Gen, with whom I fought and exchanged knowledge many years ago." That brought on my gleeful gadouken!
This is the best Street fighter adaptation so far. It was amazing to see how the creators of this show managed to stay true to the Street fighter original story and spirit with so few resources. The guy who played Ken was perfect for the job.