“Come Drink With Me” is a 1966 Hong Kong wuxia film directed by King Hu. Set during the Ming Dynasty, it stars Cheng Pei-pei as a skilled fighter and Yueh Hua as a carefree beggar, with Chan Hung-Lieh as the villain. With action choreography from Han Ying-chieh, it is widely considered one of the best Hong Kong films ever made.
Chinese actress Cheng Pei-pei stars as “Golden Swallow”, a feisty and skilled sword fighter. It was the role that would shoot Cheng’s film career into the stratosphere. She revisited the character for the sequel “The Golden Swallow”, and went onto star to great acclaim in martial arts movies such as “Flirting Scholar”, “Flying Dagger”, “Brothers Five” and of course the Oscar-winning international box office hit, “Crouching Tiger Hidden Dragon”.
Contracted by the famous Shaw Brothers Studios around the same time as Cheng Pei-pei, Yueh Hua co-stars as “Fan Da-Pei/Drunken Cat”. His success in “Come Drink With Me” led to Yueh making an average of five films per year throughout the 1960’s and 1970’s. Along with appearing in Shaw Brothers classics such as “Monkey Goes West”, “Brothers Five”, “The Shadow Whip” and “The Water Margin”, in later years he would make guest appearances in Jackie Chan’s “Rumble in the Bronx” and Sammo Hung’s “Three Kingdoms: Resurrection of the Dragon”.
Having signed for Shaw Brothers in 1964, Chan Hung-Lieh, also known as Chen Hung-Lit and Golden Chan, was given the leading role of “Jade Faced Tiger”, the corrupt and sinister villain. As with his co-stars, it spring-boarded his career as a character actor, often in further villainous roles. Chan sadly passed away in 2009, aged just 66, after suffering a heart attack whilst working on the television series “Off Pedder”.
A gang of bandits kidnap the local Governor’s son to use as leverage to free one of their leaders. In response, the Governor sends his daughter, Golden Swallow, to rescue his son.
A local drunk beggar named Fan Da-Pei acts as Golden Swallow’s guardian angel, secretly helping her avoid being ambushed at night. Fan points Golden Swallow in the direction of the bandit’s hideout in a Buddhist monastery. In a confrontation with the hostage-takers, she is injured by a deadly, poisoned dart. Golden Swallow escapes and is rescued by Fan who nurses her back to health. While she’s convalescing, Golden Swallow learns that Fan is actually a martial arts master and a leader of a Kung Fu society, which he keeps secret.
To have any hope of defeating the bandits, the evil Abbot of the monastery, and their formidable leader, Jade Faced Tiger, Golden Swallow must persuade Fan to join her. Forming her own band of fighters, Golden Swallow faces Jade Faced Tiger and the bandit gang in an effort to rescue her brother.
There is a surprisingly violent opening to the movie, with lots of theatrical blood and rubber limbs being lopped off, when bandits attack an official caravan and troop escort.
Sent to rescue her brother, Cheng Pei-pei as Golden Swallow has a bold introduction in a traditional inn. Like the hero in a Western saloon, she is strong and skilled in both verbal negotiation and martial arts, as she takes on a group of tough talking male bandits. Some of the reverse filming techniques may look a little hokey by modern standards, but just like Clint Eastwood in a Sergio Leone movie, there is no denying Cheng Pei-pei’s presence, and the intensity of the scene.
Confronted and outnumbered by the bandit gang in a temple, the fight choreography is very (Peking) operatic in style. Although a little unsophisticated in its martial arts techniques, the dance-like fight scenes are captured in long, fluid takes. There is a musical rhythm to every movement, with beats of “block, attack, move, pause”. Even the way the camera moves and how the scenes are framed and edited have a rhythm that make the stillness just as powerful as the action.
The movie’s largest scale set-piece features a band of formidable female fighters attacking the bandits in a mass countryside brawl. Cheng Pei-pei enters the fray initially dispatching all around her with a straight sword before reverting to her favoured double daggers. Although still very gracefully choreographed, the fighting is much more swift and urgent.
For the finale, the pole-wielding villain monk has a rather strange trick literally up his sleeve. He soon returns to more traditional weapons as he duels with the drunken Fan Da-pei. It (also literally) brings the house down!
Although aged just 20-years old at the time, Cheng Pei-pei is superb as Golden Swallow. She carries the dramatic weight of the film with confidence and is equally skilled in the fight scenes. Her ballet training gives her a grace and precision that compliments the action perfectly. Chan Hung-Lieh as Jade Faced Tiger is an appropriately sinister and ruthless villain, and Yueh Hua is both charming and carefree as the drunken Fan Da-pei. It’s easy to see why all three stars launched into successful film careers off the back of this movie.
Even now for a film that is over 50-years old, the cinematography is visually striking with bold, vibrant colours, unimpaired by the excessive colour grading of modern films. Every scene is exquisitely lit, framed with tight shots expanding out to reveal the full beauty of a location, or highlight the full movement of the graceful choreography. It might not be a fast-moving, action fest, but it is a work of art. King Hu’s film direction choreographed physical performance, camera movement, editing and music in perfect synchronisation, influencing Chinese martial arts movie (and in particular “swordsman”) action for the next five decades.
It’s easy to see why this film was a turning point for Chinese martial arts films. For fans of Chinese kung fu films, “Come Drink With Me” is an entertaining lesson and watershed moment in the wuxia genre and as such, is essential viewing.
- “Come Drink With Me” is an adaptation of a Beijing Opera called “The Drunken Beggar”.
- It was selected as the Hong Kong entry for the Best Foreign Language Film at the 39th Academy Awards, but was not nominated.
- Director King Hu deliberately chose a ballet dancer, Cheng Pei-pei, for the lead female role, stating, “…rather than fighting. I’m very interested in Peking opera and particularly its movement and action effects, although I think it’s difficult to express them adequately on stage, where the physical limitations are too great.” King Hu was said to recognise that some of the fights are stylised as opposed to realistic but claimed that combat in his movies was “always keyed to the notion of dance”.
- Jackie Chan is rumoured to have appeared as one of the child singers near the beginning of the film. Lead actress Cheng Pei-pei denied this in the audio commentary on the Hong Kong DVD release of the film. The film is still listed among Chan’s acting credits on his official website and autobiography.
- Prior to appearing in this movie, Cheng Pei-pei and Yueh Hua co-starred together in “Princess Iron Fan”.
Film Rating: 8/10
Almost unreal that this film was released some 52 years ago…what are your thoughts on this one and what other films starring Cheng Pei-Pei do you remember? Let us know in the comments below, feel free to join in the conversation on Facebook and follow us on Twitter. Don’t forget to check out our other movie reviews for your daily dose of FU-flixation!